I’m not a huge fan of the original Steve Ditko comics of Doctor Strange. They’re just too… well, strange for one thing. It’s not that they’re bad or anything (although they are a hard read by modern standards), they’re just so trippy and so out there.
I am, however, a huge fan of the modern rendition of Doctor Strange, especially the new series by Jason Aaron and the incredible Chris Bachalo (who has been one of my favourite artists since he did Generation X). This film manages to stay closer to the modern day version of Strange, but it still manages to keep a lot of the trippy weirdness from the old days.
First off, Benedict Cumberbatch is brilliant. Not just brilliant, perfect. He is perfect as Stephen Strange, the arrogant and brilliant doctor who’s entire life falls apart after his hands are shattered in a car crash. He’s both serious, and funny (some of the humour in this film is excellent and I loved the cloak), and handles the physical action of the film well.
Chiwetal Ejofor does well in his role as Mordo too, as does Benedict Wong as… Wong. Those three characters are spot on.
Tilda Swinton is great as the Ancient One. Genuinely great, but then she’s great in everything. I know about all of the controversy that surrounded her being chosen for the role, and I agree it would have been better if they’d chosen an Asian actor to play a character who is meant to be Asian in the comic, but they didn’t, and it’s been discussed so often that it seems pointless for me to chime in. Needless to say, Tilda is brilliant, and brings a conflicted, but wise aura to the role, which it needed.
Mads Mikkelsen as the main villain is where the character stuff starts to fall apart. He’s very good at playing what is essentially a very dull villain. Marvel film (apart from Loki) have had a really hard time finding good villains, and this film continues that tradition of having a villain who is just a little underwhelming.
Speaking of underwhelming, Rachel McAdams does fine with what is essentially a bit part to put some romance into the story. It doesn’t really work, and I would have been fine if they’d either given her more to do, or just remove the whole character after the opening act. She’s more plot device than actual character for the majority of the film, and that’s a shame.
I should point out, that despite these misgivings, I liked this film. The story is simple, yet well executed, and the action scenes well done for the most part (there are a few where it was hard to tell exactly what was happening as the camera moved about so much, but they were rare).
The action is the star of the film. There are two sequences in particular, one in a mirror realm, and one on earth that are astonishing. The later of which might well be the most creative fight scene I’ve seen in any Marvel film. They’re both beautiful to watch and mind-blowing with their insanity, and if nothing else this film has set up magic as a terrifying, incredible, beautiful thing, and I look forward to seeing more of it in future Strange films.
The ending (no spoilers) is a little underwhelming too, and frankly the whole film feels like it could have used another twenty minutes to flesh out the villain and made him less of an afterthought. Although the way the ending is done is very creative, and I enjoyed Stephen actually being shown to be smart enough to figure it out.
It’s probably not a top 5 marvel film, but it’s certainly close to it. And the two end credits sequences hint to Strange being in a lot more Marvel films, and a dark turn for a sequel that I’d love to see.
Also, the music, like all Marvel films is phenomenal and completely perfect for the film. I don’t know how Marvel studios keep getting these brilliant scores, but they really are the master of putting them together.
So, it’s two hours of incredible spectacle and great acting, but a simple if well-executed story. My main problem is the villain. Marvel’s best villains are on their TV show, and no one has come close to the complexity of Kingpin, or evil of Purple Man. At some point the films need to correct this, because Marvel have some amazing villains to pick from, and I’d like to actually see them portrayed as a threat, not someone who’s there because the good-guy has to fight someone.
I think the Seven Samurai is one of the finest films of all time. I love the story, the comradery of the characters, the acting, the setting, and the directing. In fact I love pretty much everything about it, but the other thing I love about it is that it’s inspired so many other films, and most of those films have been good. A Bugs Life is one of my favourite Pixar films, and the original Magnificent Seven is pretty much timeless.
But while most re-makes of classic films have me rolling my eyes at the idea—at least to begin with—I never did with this re-make. In fact, I was really looking forward to it.
There were a few reasons for this; Denzel Washington is one of the finest actors ever, Chris Pratt is always entertaining, Lee Byung-hun is a great actor who has done some brilliant films (The Good, The Bad, and The Weird being a favourite of mine). Antonie Fuqua makes films I for the most part enjoy, in fact apart from the dreadful King Arthur, I’ve always at least been entertained by what I’ve seen.
And then there’s the whole western theme. I love a good western. Unforgiven is one of the greatest films of all time, but I’m also glad they’re not done to death anymore, and that people are doing new things with the genre (Bone Tomahawk for one). Now, Magnificent Seven doesn’t really do anything new, but it what it does is fun and exciting.
I do have a few problems with it though. Several of the Seven are under-used, Lee Byung-hun being one of them, but also Martin Sensmeier. They feel like they could have used more time. This is the same for Manuel Garcia-Rulfo and Ethan Hawke, both of whom have interesting characters, but are put in the background for the most part for Denzel and Chris.
Denzel and Chris are both good in this film. Chris Pratt gets a little close to playing Chris Pratt on a few occasions, but as he’s so entertaining I forgive it. Denzel is great, but he’s always great, and his real motivation for joining this group is only hinted at throughout most of the film. The problem is when the revelation comes; it doesn’t feel like the gut punch it’s meant to. It feels like it’s just added to give more to the scene.
Peter Sarsgaard was the villain of the piece and he was… okay. He’s a bad guy who has one part to his personality, and that’s to be a bad guy. I prefer my villains to be a bit more rounded, but he played the part well enough, and I was nice to see him get his comeuppance.
Vincent D’Onofrio really was magnificent, playing a softly spoken character who was almost a force of nature.
Lastly, Haley Bennett was great, really enjoyed her performance, although I wasn’t such a big fan of making her really strong for 90% of the film, and then a cowering damsel in distress when the plot called for it. That sat a bit strangely for me.
But where this film shines is the cinematography, which is stunning, and the action, which is pretty much phenomenal. The gun fights in this film are breathtaking, and the scenes with hundreds of horses running toward this small town is genuinely a brilliant piece of cinema.
So, it’s not really magnificent. It’s good. It’s certainly entertaining, and Denzel was great, but it never got over that good rank. There were times when I thought it would go to great, and I was really hoping for it, but it never quite managed it. It’s certainly worth a watch, as it’s fun and action-packed, and I hope it does well at the box-office, as it deserves to, but it’s not going to go down in history as an all-time-classic.
And it’s out. As of right now, Promise of Wrath is available to buy and read on Kindle or Kindle App. The paperback and audio versions will be out in November.
Whether you’ve read my work before, or are new to my books, if you decided to give this a try, I hope you enjoy it.
Also, my other 5 Hellequin books are also on sale, so if you’ve never ready anything before then you can get a lot of story for not a lot of money.
For those of you who didn’t know, the sixth Hellequin book, Promise of Wrath, comes out in under 2 weeks. Here’s the cover.
To build up to this occasion, my other Hellequin books are on sale in a variety of countries. if you haven’t picked up any of my books before, or you haven’t read them all, now is the time. Here are the links!
If any of your decide to take the plunge, so to speak, I hope you enjoy your time in Nate Garrett’s universe.
And for those of you who haven’t pre-ordered Promise of Wrath you can use the links above to go do that too.
I did not like BvS. There were parts of it I liked, but as a whole, I found it disjointed and boring. So, it was with some concern that I went to watch Suicide Squad amidst bad reviews and stories of re-shoots by the execs. So, did they do a good job? Sort of.
This review might contain a few spoilers, but nothing that hasn’t been seen in trailers or interviews, I hope. Certainly no huge story spoilers.
First things, first. Harley Quinn is the best thing in the film. Margot Robbie is brilliant, and every scene she’s in, she either steals from everyone else, or just goes to remind you how much more interesting she is than anyone else on screen. She’s funny (mostly), insane and liable to snap and kill everyone in a second. I’ve loved Harley since her creation for the Animated show many years ago, and this is a good version of that character.
Other good things about the film include Will Smith, who does verge close to playing Will Smith on occasion, but is mostly excellent as Deadshot. He’s a favourite character of mine, so Will had a hard job of convincing me he was the person to play him.
Jared Leto is a good Joker. He’s not quite like any version of the character we’ve seen before; he’s a bit more physical for a start. But he is creepy as hell, and you really do get the impression that he would kill you for smiling the wrong way.
Many of you might have seen Batman in the trailer and Ben Afleck’s two minute cameo just reinforces how good Ben Afleck is at playing Batman.
Viola Davis is very good as Amanda Waller, a character I just can’t stand. She’s one of those people who does awful things and rarely gets her comeuppance, but she plays the character well.
Joel Kinnaman plays a good Rick Flag, a character that can best be described as bland. He’s just a bit meh, but Joel is perfectly okay in the role.
Killer Croc wasn’t all that interesting. He certainly didn’t come off at the sort of person that even Batman would be wary of. He had a few funny lines, but he was just there for the most part. Diablo is… well, he’s basically there to be latino. And a stereotypical latino too, he does very little for the majority of the film and he’s barely given any sort of character to work with. The idea of a violent man who wants nothing to do with violence is interesting when done right, and this wasn’t really done at all.
Unfortunately Katana, apart from looking cool, has nothing to do in this film. She cries once, and wants to kill a few people, but that’s it. There’s nothing there to make me care at all about her.
And then there’s the Enchantress. She might be the most boring character in the film, and not by a short margin either. Her constant jazz hands and shaky dance movements are weird and Cara’s delivery is best described as phoned in. She was the very definition of meh.
And before I forget, Jai Courtney, the man who has never been remotely good in anything in a film (although he was okay in Jack Reacher), is good in this. If getting him to play a massive dick is what it takes to get the job done, then just have him play those roles forever. He’s actually very entertaining. Although the unicorn thing is unfortunate after Deadpool. Not sure if that was in there before or after Deadpool came out, but it’s not exactly a big character part or anything.
The problem with the film isn’t the actors playing the parts, most of whom do a good to excellent job. The problem is a few things. Firstly the pacing. It’s just a mess. If this was meant to be an action-packed, summer blockbuster of a film, then why spend the first forty minutes introducing us to people, mostly in flashback form, for no reason.
We do not need to have flashbacks for every single character in the film. They take up too much time and they’re pointless. I don’t need to see Harley Quinn become Harley Quinn. That’s not a ten-minute scene that needs to happen. All it does is slow everything down so you can get a Joker scene.
Speaking of The Joker, he’s in it for 10 minutes. Now he’s very good in those 10 minutes but if you cut out all of the fluff, he’d have been in it for maybe 3. And at no point does he get a defining scene. There’s no pencil scene, or “wait till they get a load of me,” there’s just a constantly stream of creepiness and unease.
They should have made The Joker the main villain of the film. They could have had him go after Harley and all hell break loose while Harley realises that Joker is in fact an asshole. She tries to escape along with everyone else in the facility, and he goes after her. It would have been about a million times better than the actual villain, who seems to be an afterthought at best, and pointless at worst. And their plan makes no sense. Seriously, not one bit.
So, the pacing is weird and the first 40 minutes constantly slow down so they can explain who the next person is, but then the last 40 minutes are weird too. The action in the final third of the film is best described as lackluster. It’s not awful, it’s entertaining, but at no point did I go, “wow, this is awesome.”
Also, it’s edited weirdly. There’s a scene where one of the squad is stabbed repeatedly. No explanation as to why, he just is. And the next scene he’s fine. It’s a problem throughout the film, as the editing is a bit all over the place.
So, it’s not great. It’s not dreadful either. Harley and Deadshot are brilliant when on screen, and it’s probably worth it for that, but it’s a weird film. It’s not got enough good action scenes to be a good action film, and it seems to want to be Deadpool quite badly, but is neither funny enough, nor has enough heart to pull it off.
It feels like a film where execs got involved and changed a bunch of stuff so that more things went bang, but then forgot to put the story in to make it all come together. In a year that gave us Civil War, this isn’t even close to being good enough. They can’t say it has too many characters, because Guaridan’s of the Galaxy managed to introduce a lot of characters and did it well.
I’d like to see a director’s cut, and I’d like the film to do well. There’s so much they could have done with these characters and it feels like maybe they weren’t allowed to. I’d say it’s a perfectly watchable, entertaining film, but it never goes above that, and for larger than life characters like the ones in Suicide Squad, that’s a real shame.
I said that I’d be posting the opening chapter of Promise of Wrath soon, but hadn’t quite imagined it would be this soon. Any spelling or grammar errors are because this isn’t a final copy. Enjoy. Links to pre-order are at the end.
September 1195. Kingdom of Jerusalem.
I do not like the feeling of being hunted, of being pursued by some unknown force. I do not like that itch in the back of my shoulders where I can almost feel someone staring at me. It’s not a feeling anyone should ever get used to, but I more than most knew not to ignore it.
And I was being hunted. I knew that for a certainty. In fact, I’d known it for the better part of the last three days and nights, ever since we’d arrived in the Kingdom of Jerusalem on my way to Acre. I wanted to turn around and confront whoever—or, as was more likely, whatever—happened to be behind us. But my guide pushed me on, forcing me to follow or get lost behind.
“Not far now,” my guide said, as the first rays of the morning sun broke over the horizon.
We’d been walking through the night and resting during the day, ever since we’d met four days earlier. He’d explained that the night was when our hunter friend would be active, and that it wasn’t capable of following during the day. I still didn’t know what “it” was, but it was enough to scare my guide, and I took his concerns seriously. When a demon is scared of something, you damn well listen.
Technically my guide wasn’t a demon, although those who used to worship the pantheon he followed certainly thought his kind was. His name was Enlil, and he was one of the utukku, a species the ancient Mesopotamians considered to be demonic. Unfortunately, their short, slender appearance, the two small horns that adorned their head, and their long red tails did little to help dissuade otherwise. Still, they were no more demonic than a werewolf or sorcerer.
“We will need to rest,” Enlil told me as the sun continued to rise, and with it a respite from having to keep ahead of whatever was coming for us.
“Do you ever plan on telling me what it is?” I asked after we’d found suitable shade in an old building that had seen far better days. One of the walls had all but collapsed, and the sands had taken most of the lower floor, but the upper was mercifully barren from both sand and the multitude of small animals that lived in the area.
“This used to be an outpost,” Enlil said as he settled in a corner. “It was destroyed during the last crusade.”
“Enlil,” I said, keeping my voice calm, “no more changing the subject. What’s hunting us?”
Enlil sighed. “It’s nothing to worry about.”
“Yet you clearly are. So you either tell me, or I’ll go back there myself and find out what it is.”
Enlil sat upright. “No, you must not do such a thing. It will kill you.”
“What is it?” I asked again, keeping the fact that I wasn’t exactly easy to kill from my tone. It wouldn’t do to mock his concern.
“You’re scared of someone like you?” I asked. “I find that hard to believe.”
“There are two types of my people. I am shedu. As a rule, the shedu are children of the light; we believe in peace, harmony, and balance within all things. The one hunting us is an ekimmu.”
I’d heard the word before, but had never come across one of its kind. “And they’re not the peace, love, and happiness that the shedu are?”
“They are monsters. Whereas both shedu and ekimmu use elemental power, the ekimmu also use a dark, twisted power—a power you would call blood magic. The one hunting us is named Asag. He is a being of considerable power. A being who has allowed the use of blood magic to turn him into a hideous creature.”
“They’re blood leeches?” I asked, genuinely interested and wanting to understand more about something that was trying to hunt me.
“No, the utukku are not sorcerers, nor are we elementals. The use of blood magic in our kind has different repercussions from yours. It makes them incredibly powerful, much more so than any shedu could hope to combat. But with that power comes insanity, and a twisted appearance.” Enlil looked down at his feet. “I pray you never come across their kind.”
“Why is he—” I started.
“It is male, yes.”
“Why is he hunting us?”
“You. He’s hunting you, not us. He cares little for my kind—or anyone who isn’t him, to be honest. Hellequin’s arrival appears to have sparked some interest from people you would rather not deal with.”
I looked out across the terrain behind us; the constant hills and rock formations made it easy for someone to stay hidden and out of sight. Why did this monster stalk me? What was his purpose? And how had he discovered my being here? “My arrival was meant to be unknown.”
“Then you have a leak that needs plugging. We will reach Acre tonight. Asag will not pursue you into the city.” Enlil laid down, his red-tinged skin becoming darker as he fell asleep.
I dozed on and off for a few hours until dusk once again brought a need for Enlil and me to move.
There was more speed now, being so close to our destination, and I felt a surge of relief when the lights of Acre shone in the distance, but after a short while Enlil stopped and looked behind me. “Run.”
I didn’t need telling twice and the two of us were soon sprinting toward Acre, but there was a low roar that caused me to stop, and freeze while the safety of the city was close in the distance. We weren’t going to make it.
“Enlil, stop moving.”
Enlil did as I asked, looking at me with a mixture of concern and realization.
“You hear that?” I asked as the low rumble that appeared to come from all around us grew in size.
“Asag is here,” he told me.
I risked a look behind me and saw something standing on top of a hill only a few hundred yards away. Its massive shape was masked by the darkness, but I knew it was what had been hunting us.
“Asag, I presume?” I asked.
Enlil looked up at the hill and nodded once. “He must have ignored the pain of daylight traveling.”
The earth around our feet exploded and a dozen creatures tore free, standing just out of reach. Each of them was about two feet high, and appeared to be made of solid rock.
“An extension of Asag’s power. These creatures are a part of him. Destroy these, and it weakens him.” He drew a sword from the sheath on his hip.
I stared at the relatively small creatures. Asag must have been pushing them in front of us while he chased from behind, it was a smart move, and now we were trapped only a short distance from the city.
“Hellequin,” the voice of Asag boomed through the night as the monster began walking toward us. “You are not welcome here. None of your kind are.”
“My kind?” I asked Enlil.
I unsheathed the jian, a Chinese sword, and held it toward Asag, ignoring the small creatures between us. “Feel free to come remove me.”
Asag screamed in rage and charged toward us as his creatures pounced. I knocked one into another using my air magic, trying to ensure they didn’t swarm over us. Enlil stabbed his blade into one of the creatures, and was forced to leave it there, using his natural strength to throw the creatures around, as he made his way toward Asag, where his battle began anew.
I was too preoccupied with keeping the smaller creatures busy to watch them fight, but after a short time the creatures vanished back into the ground, and I turned to Enlil and Asag, moving toward the pair to help my guide.
Enlil was holding his own against the larger Asag, but that soon turned when the small creatures burst from the ground, grasping hold of Enlil. I was flat out sprinting when Asag punched a hole through Enlil’s chest, tearing out his heart and tossing it aside as if it were nothing.
Asag picked up Enlil’s lifeless body and threw it at me, forcing me to dodge aside, right into the path of his minions, who quickly swarmed over me, dragging me down as I threw magic around, trying to give myself a fighting chance. Asag stalked over until he towered above my kneeling position.
“Hellequin should have stayed at home.”
He raised his hand, and I ignited my fire magic, pouring everything into it. The magic forced the creatures off me, and caused Asag to scream out in pain. He staggered back as I got to my feet, ready to tear him apart. But the noise of a horse galloping behind me made Asag’s eyes widen with shock. I didn’t dare risk a look as the huge monster turned and fled.
The first I saw of the horse or its rider was when it passed me and was brought to a halt. The black warhorse was massive—which was for the best, considering the size of its rider. A mountain swung off the horse and walked over to me. He was close to seven feet tall, with a long beard that touched his chest. His bare, muscle-laden chest looked more like an immovable wall. Frankly he looked like he could have juggled horses, not just ride them.
“Hellequin,” the man said, his voice deep and commanding, used to having people do as he said. And for good reason: this man had once been a king, and some things are not easily forgotten.
“Gilgamesh,” I said, grasping his forearm. “Thank you for the timely intervention. Unfortunately, Enlil didn’t make it.”
Gilgamesh picked up Enlil’s body, cradling it in his massive arms. He walked over to his horse, and heaved the body up onto the animal’s back. “He was a good man—a brave man. We will sing songs about him.”
“Asag knew I was coming,” I told Gilgamesh as we walked back toward the city.
“Maybe those who requested your presence will know more. I am but a soldier.”
As we reached the first guard post just before one of the sets of gates to the city of Acre, I began to wonder if I’d imagined that I’d heard a tone of displeasure in his words.
The guard waved us past the checkpoint and toward a second checkpoint posted just outside the huge gates that signified Acre’s entrance proper. The second set of guards consisted of a dozen heavily armed men, all of whom were trying to get people into the city in an orderly fashion. It usually meant shouting at people until they stopped talking, and/or demanding money from them.
Gilgamesh merely walked through the group as if they weren’t there. Those around us stared at the body. Some recoiled in horror, while others quickly moved their gaze toward the ground. Gilgamesh didn’t speak as we walked down small alleyways and through a courtyard, until we eventually reached a large house overlooking the sea below.
The smell of the fresh sea air was a welcome break from the desert of the last few days and I found myself wishing I’d just taken a ship to arrive here. Gilgamesh opened the door without knocking, leaving the horse and Enlil outside. I used my fire magic to give me night vision, casting everything in an orange hue, but it meant I could see no more than a few yards ahead.
Gilgamesh took me further down the staircase until we came to another door. He opened it with a small key and motioned for us both to enter.
“Where are we?” I asked, as I stepped into what appeared to be a huge cavern beneath the city.
“Old catacombs,” Gilgamesh explained. “Been abandoned for a long time. We think they used to belong to smugglers.”
I looked around at the ornate columns and rune work on the walls. “Smugglers didn’t make these.”
“Maybe they did, maybe they didn’t,” he said, with a wave of his hand. “I’m sure you have probably seen a great many things that rival our small efforts.”
“Gilgamesh, the last time I saw something as impressive as this, the dwarves had made it. It’s stunning.”
He stared at me for a moment, before bowing his head in thanks. He took me to the left of the cavern, where a huge iron door had been built, almost as if it were part of the rock that surrounded it. Gilgamesh knocked twice and opened the door, motioning for me to enter.
I had no idea what the room looked like, or who else was in it; all I saw sat in one corner was Mordred. He was chained around the wrists and tethered to the ground, a sorcerer’s band—a metallic bracelet with runes inscribed into it that removed his ability to use magic—sat on one wrist. He was powerless and I could have killed him without thinking twice about it: a fact he knew exceptionally well. He smiled.
“Glad you could make it,” he said. “I’d wave, but my hands are fastened to this seat.”
I stepped forward, my hand instinctively dropping to my sword that hung against my waist.
Gilgamesh stepped in between us. “You will not touch him,” he told me.
“Gilgamesh—” I protested.
“I said no,” he repeated, this time crossing his arms over his chest as if to signify that the conversation was over.
I weighed my odds. Could I get past Gilgamesh toward Mordred before the former killed me? Gilgamesh’s maul was leaning up against a wall a few yards away, but I’d also seen the man punch out a troll, and I doubted Asag would have been able to hold off the old king’s advances for long. I relaxed and took a step back.
“Good man,” Gilgamesh said with a slight smile.
“Someone had better explain why Mordred is here, why he isn’t dead, and why I can’t kill him. Enlil died to get me here. I’ve been attacked by a rock monster. I’m in no mood to play games.”
“I can explain everything,” a woman said from beside me. She looked at Gilgamesh. “Enlil died?”
Gilgamesh nodded. “Asag.”
The woman closed her eyes and breathed out slowly. “Damn it. Damn them all for doing this.” She turned toward me. “For all of the awfulness that has happened, I’m glad you’re here, Hellequin.”
I looked at the young woman who regarded me with such warmth, and felt guilty about even considering killing Mordred in her presence. I’d met her a century ago in Camelot, when she was a guest of Elaine’s. In Sumerian mythology, she’d been known as a goddess of social justice, prophecy, and fishing. She was loved by her people, and trusted by Elaine. I’d liked her immediately, and found her an interesting and warm person to be around.
“Nanshe,” I said, with a bow of my head, “this man sullies your presence.”
“Now that’s unfair!” Mordred shouted. “She hasn’t given me a chance to sully anything yet!”
“Be quiet, Mordred,” Nanshe said.
Astonishingly, Mordred actually shut up. “We need his help,” she said, regarding me once more. “We need your help too.”
“Mordred was involved in a plot to attack Avalon personnel here in Acre.”
“That’s not a surprise; he’s always involved in something. And that tallies with what Asag said about Avalon personnel not being welcome. I assume they’re friends?”
“It would appear that any flame of friendship between them is long since extinguished. Unfortunately, we don’t know what their plot is. When I told Merlin, he insisted he send you along to help.”
I got the feeling she hadn’t been too impressed with Merlin sending me, but I ignored her irritation. “Can’t you make Mordred talk?”
“He doesn’t know the plot itself, just the players involved. And once he learned that you were on your way here, he decided he’d only give those names to you.”
I was stunned. “Wait. Mordred asked for me?”
Nanshe nodded. “We found him in the city and had him arrested, but he will only talk to you about those involved.”
I stared at Mordred. “Why?”
“Why?” he asked. “Because I want to watch your face when you fail. I want to see your expression when thousands die because you couldn’t stop it.”
I looked back at Nanshe, determined to ensure that Mordred’s words didn’t come to pass. “Right, let’s get started then.”
So, here it is, the cover for Promise of Wrath, and it looks fantastic. There’s going to be the first chapter put up at some point in the next few days, I hope. If you’d like to pre-order, links are below.
A powerful sorcerer. A forgotten past. Hellequin is back, and the end is near.
A terrible storm is brewing in London, and Nathan Garrett, the sorcerer known as Hellequin, is the only one who can stop it.
But his enemies have other plans. Harnessing the power of an ancient stone tablet, they cast Nate and his allies into another realm, where a bloody conflict rages between creatures twisted by magic. Meanwhile, with his friends’ lives in danger, Nate must put centuries of differences aside, and place his trust in one of his greatest foes.
Time is running out. Trapped and outnumbered, Nate must use all his wits and power to survive and find his way home before his enemies start a war that could destroy everything he holds close. Welcome to the penultimate chapter of the Hellequin Chronicles.
I grew up watching Star Trek: The Next Generation and Deep Space Nine. Those were my Star Trek’s, much more so than the original Star Trek show. Saying that, Undiscovered Country is my favourite Star Trek film, with Wrath of Kahn and First Contact alongside it. I really liked the first re-boot film, I thought everyone in it was excellent and that it told a good story, while managing to be exciting. I was not such a big fan of Into Darkness, I found it used action instead of character, and the story was flimsy at best. Beyond corrects all of that and is probably one of the best Star Trek films.
First of all the story is simple and well done. I won’t go into spoilers, but the story works well, and moves along at an incredible pace. The 2 hr running time flies by.
The characters are all well-realised and work well together. Bones and Spock in particular are fantastic in this film, finally giving that relationship some much-needed time. Karl Urban has always been amazing as Bones, and this makes an even greater case for him being the perfect actor to play such an iconic part.
Chris Pine is a phenomenal Kirk. I’ve had no problems with his take on the character throughout the three films, and hope if there’s a fourth film that he continues to helm the ship. Zachary Quinto rounds out this trio, and this is his best film. There are some genuinely touching moments between him and those people he cares about, and there’s a wonderful tribute to Leonard Nimoy that really tugs at the heart-strings.
The rest of the Federation cast is phenomenal too, although a special mention goes out to Zoe Saldana, who I’ve always liked as Uhura, and John Cho who is just a badass Sulu. Lastly, there’s Anton Yelchin. It’s genuinely sad that he’ll never play Chekov again, as he does such a good job, and his passing will leave a huge hole in future movies.
Sofia Boutella is amazing as Jaylah. She’s a badass, smart warrior who gets some incredible action scenes, which as a whole as fantastic throughout the film. I hope she gets to come back for future films.
I know the Enterprise gets destroyed a lot, but you’ll still be gob-smacked at what happens in the opening part of the film.
And that brings us to our villain. Most good Star Trek films have a good villain. When Krall is first introduced, played by Idris Elba, he comes off as a generic villain, albeit a good one, but throughout the film Elba is fantastic. And while I guessed the revelations about what was happening, they were no less shocking.
So, this is a well-acted, exciting, action-packed blockbuster of a movie. Are there any problems?
Well, Simon Pegg is still a bit hit and miss as Scotty, and the ending is a little far-fetched even for this franchise. Also, some of the background fx is too loud and you can’t hear what people are saying. It happened a lot when Scotty was in the engine room, and it was a bit weird. But other than that, it’s pretty much an all round excellent way to spend 2 hours of your time.
I know the trailers didn’t really inspire hope that it would be a good film, I know they left me cold, but the use of Beastie Boys Sabotage, is phenomenal in this film. Some might find it cheesy, and I guess it is a little, but I thought it worked brilliantly.
You like Star Trek, this is for you. You like big action-packed blockbusters, this is for you. You like your sci-fi with actual characters, this is for you. It’s the best Star Trek film since First Contact. I can’t wait to see it again.
Okay, I’m going to start by saying that this isn’t as good as the original. It was never likely to be. The original Ghostbusters was such a lightning in a bottle kind of thing that it was unlikely to be matched. It’s also one of my favourite films of all time, so I was very apprehensive about this remake. And while it’s not as good as the original, it’s a hell of a lot better than Ghostbusters 2.
The main four women are all brilliant. Melissa McCarthy and Kristen Wiig are both on fine form, and Leslie Jones has a few brilliant lines, but Kate McKinnon steals the show. She’s phenomenally funny in this film.
Speaking of show stealing, Chris Hemsworth is brilliant. He’s just fantastic every time he’s on screen as a bumbling, charming, complete and utter idiot.
The action scenes are well done, especially toward the end, and the film is genuinely funny in many places (including a bit where they read Youtube video comments). The cameo’s are all really fun, and the visual effects are pretty much spot on.
But it’s not perfect. It has one too many beats that are lifted from the original, which do nothing but remind you of how good the original is, and some of the jokes are just not very funny. But in a film where more hit and made me laugh than didn’t, I’ll call that a win.
Other problems include the mayor and his aide, who were just annoying, and the main villain, who didn’t seem all that dangerous at any point. Gozer was hardly given a great character, but the build up to her reveal was excellent. Here, it’s less interesting, and feels like they could have done with an extra 20 mins or so.
I assume many of you have read those hate-filled reviews and posts on IMBD or Facebook, or maybe even Twitter. Posts by usually angry white men who hate the fact that this film exists, that women are allowed to be the main focus of a Ghostbusters movie. Those people are idiots. And frankly, it’s their loss. This film isn’t anti-man, or militant feminist, or anything else people have said.
But they’re small complains in the scheme of things. If you like the Ghostbusters, you’ll like this, if you like action-packed, funny films, you’ll like this. And, one last thing; the cinema was full of young women and girls. And judging from the clapping and cheering, they loved it. This is their Ghostbusters, and it’s a fine film.
I hope they get a sequel, I hope they get that chance, because if they can come out from under the shadow of the original a bit, I think they could make a phenomenal film. As it stands, they made a really good one.
Last year I picked up a cinema ticket that lets me go as often as I like to see whatever I like. It lasts for a year, and I mainly got it because I knew I was going to go see X-men, Civil War, Batman Vs Superman, Star Wars, and all those other big blockbuster films that I was looking forward to. I did not buy that ticket to see The Nice Guys. I didn’t even know the film existed until about a month ago. But I’m really glad I did.
The Nice Guys is a film about Russell Crowe and Ryan Gosling. It’s set in 1977 Los Angeles and it’s directed and written by Shane Black. Shane Black, for those who don’t know, is one of those guys who if I see his name attached to a film, I’ll go see it. He wrote Lethal Weapon, The Last Boy Scout, Kiss Kiss Bang Bang, and a whole lot more.
I don’t think it’s too much to say that The Nice Guys is the best film I’ve seen this year. And i adored Civil War. The Nice Guys is everything I want in an action comedy. For a start, it’s actually funny. Not chuckle funny, but laugh out loud in the cinema funny. The lady behind me snorted like a pig. Actually snorted. And she was about eight rows behind me. That’s how funny this film is.
Russell Crowe and Ryan Gosling are superb, Angourie Rice (who plays Ryan’s daughter) is brilliant every time she’s on screen. She’s not one of those annoying kids who you get tired of, she’s genuinely funny, and even though she comes across as wanting to be treated like an adult, she also has those moments when she is a thirteen year old girl who is trying to hold everything together.
Honestly, the acting is great throughout, and there’s a brilliant script for the actors to work with. The twists are surprising for the most part, and… look, if you haven’t seen this film yet, go. Now. This film deserves to make a huge amount of money. They rarely make films like this anymore, and it’s a shame. But if anyone could have pulled it off, it would have been Shane Black, and damn if it hasn’t done it in style.